P. Vergilius Maro, Aeneid 4.74–89
This passage is one of the strongest portraits of love in Latin literature. Vergil depicts Dido consumed by her passion for Aeneas, with the construction of Carthage itself grinding to a halt as a visible demonstration of her own collapse.
Tier 1
Dīdō dūcit Aenēān per media moenia urbis. Dīdō ostendit Aenēae opēs urbis et urbem parātam. Dīdō incipit dīcere. tum in mediā vōce tacet.
cum sōl cadit, Dīdō quaerit convīvia. Dīdō vult audīre Trōiānōs labōrēs iterum. Dīdō audit Aenēān, et Aenēās narrat dē Trōiā.
post hoc, omnēs abeunt. lūna obscūra premit lūmen. sīdera cadunt et somnum hominibus dant. Dīdō sōla in vacuā domō dolet. Dīdō iacet in strātīs relictīs. Aenēās abest. sed Dīdō eum audit et videt in animō suō.
Ascanius est similis patrī suō. Dīdō tenet Ascanium in gremiō. Dīdō vult fallere amōrem suum.
in urbe nēmō labōrat. turrēs nōn surgunt. iuvenēs arma nōn exercent. nēmō prōpugnācula tūta in bellō parat. omnia opera stant. mūrī ingentēs nōn surgunt. māchina alta stat sed nōn movet.
Tier 2
nunc Dīdō dūcit Aenēān sēcum per media moenia, et ostendit opēs urbis et urbem parātam. incipit loquī sed in mediā vōce tacet.
nunc, sōle cadente, eadem convīvia quaerit, et iterum petit audīre Trōiānōs labōrēs, et iterum pendet ab ōre Aenēae narrantis.
post ubi omnēs abiērunt, et obscūra lūna premit lūmen, et cadentia sīdera suādent somnōs, Dīdō sōla dolet in vacuā domō et iacet in strātīs relictīs. Dīdō absēns Aenēān absentem audit et videt; aut, capta imāgine patris, tenet Ascanium in gremiō, sī possit fallere īnfandum amōrem.
inceptae turrēs nōn surgunt; nec iuvenēs arma exercent, nec parant portūs aut prōpugnācula tūta in bellō. pendent opera interrupta, et ingentēs mūrī, et māchina aequāta caelō.
Tier 3
nunc dūcit Aenēān sēcum per media moenia, et ostentat Sīdoniās opēs urbemque parātam; incipit effārī et resistit in mediā vōce. nunc, labente diē, eadem convīvia quaerit, et dēmēns iterum exposcit audīre Īliacōs labōrēs, et iterum pendet ab ōre narrantis [Aenēae].
post, ubi [convīvae sunt] dīgressī, et obscūra lūna vicissim premit lūmen, et cadentia sīdera suādent somnōs, [Dīdō] sōla maeret [in] vacuā domō, et incubat strātīs relictīs. [Dīdō] absēns absentem [Aenēān] audit et videt; aut, capta imāgine genitōris, dētinet Ascanium gremiō, sī possit fallere īnfandum amōrem.
nōn coeptae turrēs adsurgunt; nōn iuventūs arma exercet, nec parant portūs aut prōpugnācula tūta bellō. opera interrupta pendent, ingentēsque minae mūrōrum, et māchina aequāta caelō.
Tier 4 - Carmen Ipsum
- nunc media Aenēān sēcum per moenia dūcit
- Sīdoniāsque ostentat opēs urbemque parātam,
- incipit effārī mediāque in vōce resistit;
- nunc eadem labente diē convīvia quaerit,
- Īliacōsque iterum dēmēns audīre labōrēs
- exposcit pendetque iterum narrantis ab ōre.
- post ubi dīgressī, lūmenque obscūra vicissim
- lūna premit suādentque cadentia sīdera somnōs,
- sōla domō maeret vacuā strātīsque relictīs
- incubat. illum absēns absentem audītque vidētque,
- aut gremiō Ascanium genitōris imāgine capta
- dētinet, īnfandum sī fallere possit amōrem.
- nōn coeptae adsurgunt turrēs, nōn arma iuventūs
- exercet portūsve aut prōpugnācula bellō
- tūta parant: pendent opera interrupta minaeque
- mūrōrum ingentēs aequātaque māchina caelō.
Tier 4 - Carmen Ipsum (AP Core Vocabulary)
- nunc media Aenēān sēcum per moenia dūcit
- Sīdoniāsque ostentat opēs urbemque parātam,
- incipit effārī mediāque in vōce resistit;
- nunc eadem labente diē convīvia quaerit,
- Īliacōsque iterum dēmēns audīre labōrēs
- exposcit pendetque iterum narrantis ab ōre.
- post ubi dīgressī, lūmenque obscūra vicissim
- lūna premit suādentque cadentia sīdera somnōs,
- sōla domō maeret vacuā strātīsque relictīs
- incubat. illum absēns absentem audītque vidētque,
- aut gremiō Ascanium genitōris imāgine capta
- dētinet, īnfandum sī fallere possit amōrem.
- nōn coeptae adsurgunt turrēs, nōn arma iuventūs
- exercet portūsve aut prōpugnācula bellō
- tūta parant: pendent opera interrupta minaeque
- mūrōrum ingentēs aequātaque māchina caelō.